Saturday, January 29, 2011

The Rain Dancer adds a little Mysticism to the Bedroom

While one of my paintings is running in the Saatchi competition (oh please please vote for my painting - see link below) I thought why not placing the painting virtually in a room where it might look good. I mounted it into a virtual frame that would give this bedroom a little additional "sparkling".

Normally I am not so very much a friend of four-poster or canopy beds, at least not with only the four posts standing free but in this case it looks elegant and not so invasive as in many other rooms.I found the original art on the wall a bit too cheerless though as it was mounted in a dark frame additionally. The painting I replaced it with adds a little mysticism to this bedroom, a pigeon looking like a rain god with his fluffed up plumage...

(original image source getdecorating.com)


The acrylic painting is called The Rain Dancer and depicts one of my favourite models, Pete, the pigeon patron from our feral pigeon family, while he takes a shower in the rain. If you look closely (click on the image to enlarge) you will see all the droplets in his plumage and the content look in his face. Pigeons love to bathe or to take a shower in the rain.

"The Rain Dancer"
(from the Pigeons series)
 

18" x 26" acrylic on cotton
©Petra Voegtle

If you would like to learn more about pigeons, how intelligent and funny these birds are, simply amazing creatures - then please check out my blog/diary Pigeon Tales. I can tell you that you will not be disappointed. There are lots of funny and sweet photos, little videos and stories about their adventures.Additionally you will find a lot of interesting links about birds and pigeons especially.
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 Thank you so much!
Voting Link
you can log in with your facebook account!
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Friday, January 28, 2011

Saatchi online Competition - would you vote for me?

Now I have a little wish for you. You know I love pigeons and care very much for them. I have often talked about my pigeon diary the Pigeon Tales, documenting everything I learn about pigeons, their behaviour and during the past years I have deeply fallen in love with these amazing birds which are completely different from those awful prejudices they are beaten with.

I have also started a painting series about them, using members of our pigeon family as models. One of those paintings I have now submitted to the Saatchi online competition. Wouldn't it be a wonderful hommage to these wonderful birds if a painting would make it into the first places?
So I am asking for your help. If you like this painting (see below) would you vote for it on the Saatchi website? Here is the link. If you don't want to register with Saatchi you can use your facebook account instead. The voting is going til Feb 07 for the first round.


 Thank you so much!
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Saturday, January 22, 2011

SMALL SPACES: Balcony Garden

Although we still have deep winter and the temperatures have gone down below zero again there already was a hint of spring the last week and I even put some of my very large plant pots outside. Would have been too nice if I could have left them there but...today we had some snow showers again and I hate it.

And on top of it - as if this wasn't enough I found these pics which make my heart hurt even more in  expectance - having my own little balcony garden again. And this year I want to make it a bit nicer, without all the chaos of empty pots and other stuff. I want it to look more like this:


(myrentalpad.com)

(www.littlerockfamilyhousing.com)

(gardenplants.ie)

(gardenrant.com)

(forums2.gardenweb.com)

 (aquaponics.net.au)

(whatpossessedme.com)

Last summer my balcony looked like this and I want to do something about it:





(view from my bedroom including pigeons)

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Wednesday, January 19, 2011

A Touch of Exotic in the Living Room

My attention was drawn immediately to the gorgeous window arches of this room and the amount of light that would be guranteed by this fact. I absolutely love large windows because then you have a plethora of possibilities for decoration, even converting half of the room into something like a sunroom - especially with plants. But this is not the theme here.

The room has been kept very simple - what can be seen from the photo section here - which leaves the opportunity to add some major objects and of course a  sophisticated piece of art such as this large silk scroll rather than the original picture which looks a bit depressing in this context (see below). The scroll would definitely add an exotic touch to this room.

 original image source and with courtesy of 


The silk scrolls has been inspired by the dramatic stone architecture in India. If you would like to read more about the "making of" this extravagant piece and see a lot of large detail images please check this link.

"The Palace" 
( from the Ornaments series)
75" x 23", silk scroll
©Petra Voegtle
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Sunday, January 16, 2011

How You should NOT do it - placing Art!

Art IS an emotional thing. Art IS personal if it is not an investment but there are still a lot of points to pay attention to when you place art. Because it can destroy the harmony or balance of a room that much that you don't feel well any more even if you don't know why.

I don't understand why people always think that just everybody can hang art without exactly knowing what s/he is doing. Hanging art is an art in itself and I boldly make the statement that even gallerists do not know sometimes how to hang art for its best appearance and largest impact. A short while ago I have seen art being hung in an exhibition where I would have wept in rage if I had been the artist. I have seen many many bad examples and seldom really good ones.

The problem in a gallery is that you have expensive space - very expensive - and you need to make the best of it for your profit. This again means you need to offer as many objects as possible for sale. You can do this either in a cohesive way - similar paintings in one place - that's why galleries often look for artists working in a similar style - or varied. This means many different styles and artists. Still you need to group the objects and place them either in a similar context or you place them as opposed to one another, contradictional. There are many possibilities but the main requirement is still balance no matter in which way you achieve that.

Similar issues apply to an exhibition in a venue or museum. A museum wants to sell tickets and has to offer somthing. Often spaces are cramped and this is not good for the art either. I wished they would rather change their exhibits more often - which could be done in a gallery too despite the additional work but I am sure there would be much more success. I could go on with this issue for ages and I dream to have a gallery of my own one day.

You don't have this problem at home normally besides that you may be constraint regarding space. Again - less is more if you want to really show off something. If you love to buy art and collect it, wouldn't it be the best idea to designate certain spaces in a house where you could install a hanging system and easily change your art? Wouldn't this be fun?

And if you want only 2 or 3 pieces for decoration I recommend taking your time and look thoroughly for it. There is nothing more disappointing than doing this in a rush. Get yourself some people to ask for their opinion, ask for a piece of art being in your house for a few weeks in order to decide whether it feels right or not. Galleries sometimes offer that. Or rather ask the artist her/himself if s/he would do this for a small fee if you don't buy the art piece in the end. Everything can be negotiated. I am sure many artists would agree to such a deal.

You need to have a feeling for hanging art AND the knowledge about placing an object in a certain environment. You need to KNOW about balance and harmony, about colours and scales just the same way as you would design a room or construct a painting. The same rules apply anywhere.

  • balance - symmetrical or assymmetrical
  • proportion - refers to the relationship between objects
  • rhythm - repetion of forms and colour, flowing lines
  • emphasis - creating a point of focus or interruption, achieved by using contrasts, creating an isolation point within neutrals, repetition
  • unity - must be guaranteed as a whole in underlying structures, consistency in colours and form, a concept must be recognized

There are 2 major possibilities how you find the right art for your room - either you design a room around a piece of art which would apply for one or two very special pieces, expensive or not but with a very personal attachment or you have to find art that "matches" your interior and fulfills the basic requirements of good design.

Now I am showing a couple of examples what you definitely should NOT do regarding proportion and  direction:
do NOT place a vertically oriented painting above an object that is vertically oriented also as in this sketch:


The proportion of the following is completely out of order - placing a huge mirror or painting or other wall piece above a small seating is a no-no that is often ignored...


Do NOT overdo your matching colours - this can end up in a dead rhythm as in the following example...



Regarding repetition - if you have a piece of furniture with a very agitated pattern you should not place a painting with an agitated motif above it otherwise you end up in agitating yourself...


Don't overdo matching colour as in this example - no rhythm but rather stand-still - it is drop dead boring and lifeless...


Even if you might have found a lovely painting to match the subject and colours - there is simply too much repetition...


The following example is completely out of focus - the eye has no place to rest upon - a room such as this makes you dizzy...


And here is another example which really should be avoided - to place objects in front of a painting. Where is the emphasis here? This looks absolutely aweful. It is the same situation when lamps or candle holders are in the middle of your face when you sit opposite to a person you are dining with...



You may have had a concept when you designed your room but if the above rules are not followed your design will not be a real composition (unity). I see many interiors where I have the feeling that the designer did not follow any of these rules and was just desperately looking for creating some new "trend".  And when it comes to art works especially and what has been chosen and how it has been placed - it is even worse. I cannot believe what here is often "sold" to the client. The wits seem to have been gone completely - as if a child had started to play with a new game and soon lost its interest. Instead of considering art as a major design element of a room it is left in the basement's junkroom. No wonder that people often feel awkward about choosing the right art.

I wonder how often interior designers work with real artists and ask for their opinion directly instead of a gallery owner or art dealer?

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